K’awiil: Ancient Maya Lightning Lord
God of fertility, abundance and royal lineage In Maya art, K’awill often appears in the form of a scepter that, when held, signifies royal lineage. Because one of his legs terminates in a serpent’s head, the Popol Vuh—the sacred book of the K’iché Maya—identifies him as Cacula Huracan, “Lightning One-Leg.” His forehead is a mirror penetrated by a smoking axe, which references ancestors and designates him as a lightning lord. The hooks in his eyes securely identify him as a deity. In Classic times, at accession events, when the kings displayed… Read More
Ancestor Substitution: Maintaining balance and order in the cosmos
Concepcion, Guatemala: A shaman and his mother converse with my guide The Tzutujil Maya who live around Lake Atitlan in Guatemala, use the term k’ex “substitute, exchange” to reference various ways in which the universe maintains balance or equilibrium. The perceived order in the cosmos has to be maintained on Earth—as above, so below. Substitution applies to generations. For instance, a child is considered a substitute for a deceased parent or grandparent. People are exchanged for one another through repetition, the same basic personality or temperament, even souls reoccurring through reincarnation. One… Read More
The Dancing Maize God
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
Jade
Ear Ornaments The Classic Maya ascribed a number of meanings to jade, including maize, centrality, and rulership, as well as a material embodiment of wind and the vitalizing breath soul. Because of its close relationship to the breath spirit, jade was an important component of funerary rites and the ritual conjuring of gods and ancestors. Carved in floral form, jade earspools were considered supernatural sources or passageways for the breath spirit, frequently portrayed as a bead or a serpent emerging from the center of the jade flare. A common Classic Maya death… Read More
Storytelling Through Dance
Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance on painted pottery. Most… Read More
Ball Game
Ball Court: Copan, Honduras Scholars believe that in earlier Maya times, the contest was a ritual that represented the fight of the opposing and forces of the universe—life-death, Sun-Moon, day-night, light-darkness—in order to insure balance, continuity and fertility. Some say it was a metaphor for the movements of heavenly bodies, the ball representing the journey of the Sun god passing in and out of the underworld. Because some courts have stone rings on the walls for the ball to pass through, other say it was about the Earth swallowing the sun where… Read More
K’awiil: Ancient Maya God of Fertility, Abundance and Energy Exchange
Drawing courtesy of Schele, Linda. Linda Schele Drawings Collection. 2000. 11-18-19. FAMSI.<http://research.famsi.org/schele_list.php?rowstart=15&search=k%27awiil&num_pages=4&title=Schele%20Drawing%20Collection&tab=schele> Linda Schele, who made the above drawing from four identical, stucco-covered figurines found in Burial 195 at Tikal, spoke with a Maya ritualist who said K’awiil was a supernatural “host object.” (Schele, Maya Cosmos, p.199). This aligns with the god’s frequent appearance in Maya Art as the scepter of rulers, likely to indicate royal lineage. Rulers who are shown wearing a smoking headdress do so after death to denote royal ancestry, the most famous example being the curls of… Read More
The Sacred World Tree (Ceiba & Itzam Yeh)
A young ceiba. The thorns protect the tree from animals, especially the peccary who like the bark. The spikes disappear when the tree matures. The ceiba is the largest tree in the tropical forest, so it’s not surprising that the Maya would use it as a model for the cosmos. The stature of the actual tree with roots deep in the underworld, tall trunk and branches that touched the sky, it well represented the three realms which were inhabited by gods and demons. The ideological version, an imagined replica was known as… Read More
