Posted on April 15, 2023 by David L. Smith
They modeled creation by establishing a center in a house and vitalizing it Operating on the principle, as above so below, the ancients “centered” their homes in the world following the example of the celestial deities who placed three “stones” in the universe to establish the center. The hearth wasn’t necessarily placed in the center of the house. The centering it provided was symbolic and spiritual. A Maya farmer showed me this hearth in a house that was no longer used. The guardian-spirit had long been released. According to art historian Julia… Read More
Posted on January 14, 2023 by David L. Smith
Ritualized skirmishes evolved into large scale warfare Rollout vase photos courtesy of Justin Kerr It was the custom among them to pledge what they possessed to each other; upon collection and payment they began to quarrel and attack each other. Frey Diego de Landa They never had peace, especially when the cultivation (of milpas) was over, and their greatest desire was to seize important men to sacrifice, because the greater the quality of the victim, the more acceptable their service to the gods. Alfred Tozzer War was the way… Read More
Posted on November 5, 2022 by David L. Smith
Rollout vase photo courtesy of Justin Kerr Similar to the Maya Underworld, the Upperworld was populated with demons. Instead of nine levels, however, the celestial realm had thirteen, each with a ruling deity. Not much is known about the levels, but there’s an indication that the fifth was a “Place of Fire” inhabited by serpents who emitted comets and meteors. Some referred to that level as the Na Ho Chaan or “First Five Sky,” portrayed in art as long, twisted cords— an association with the umbilical cord and the cords wrapped around… Read More
Posted on September 10, 2022 by David L. Smith
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
Ancient Maya Cultural Traits 