Ancient Maya Dance
Reenacting mythic stories Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper, Archaeologist Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance… Read More
Ancient Maya Solar Observatories
Stages for community-wide ritual and celebration Structure E-VII-sub Uaxactun, Guatemala By 500 B.C., in the Middle Preclassic Period, there were numerous large architectural assemblages throughout the central lowlands of Guatemala and Mexico. At first, they appeared to function solely as line-of-site markers of the sun’s solstice and equinox turning points. Archaeologists named them “E-Group complexes.” Although there was great diversity in these structures across time and place, what they had in common was a large rectangular, flat, paved plaza with a square four-sided pyramid aligned to the cardinal directions, situated west of a… Read More
The Sacred Calendar of The Maya
Time was cyclical rather than linear Calendar glyphs. Copan Stela N (Back) Sacred time is that in which the gods manifested themselves and created; so each time man wants to ensure a fortunate outcome for something, he re-actualizes the original sacred event—creation; what is actually sought is the regeneration of the human being. Sacred time is reversible, it’s a primordial mythical time made present. Mircea Eliade Many of the ideas put forth by professor Eliade in his groundbreaking book, The Sacred and the Profane: The Nature of Religion applies to the ancient… Read More
The Dancing Maize God
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
Ancient Maya Cultural Traits 