Ancient Maya Dance

Reenacting mythic stories Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper, Archaeologist Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance… Read More

K’awiil: Ancient Maya Lightning Lord

God of fertility, abundance and royal lineage   In Maya art, K’awill often appears in the form of a scepter that, when held, signifies royal lineage. Because one of his legs terminates in a serpent’s head, the Popol Vuh—the sacred book of the K’iché Maya—identifies him as Cacula Huracan, “Lightning One-Leg.” His forehead is a mirror penetrated by a smoking axe, which references ancestors and designates him as a lightning lord. The hooks in his eyes securely identify him as a deity. In Classic times, at accession events, when the kings displayed… Read More

Xibalba

The Maya underworld and the god of death Rollout vase photo courtesy of Justin Kerr The Maya Underworld, called Xibalba (She-balba), “The Place of Fright,” was the realm beneath the surface of the Earth and under water. It was perceived to have nine descending levels arranged like an inverted pyramid, was ruled by the Bolontik’u, “Nine Lords of Death” and was often depicted on vases as a giant conch or snail shell which enclosed a mysterious other reality interpreted by some to be an infinite, eternal and bloody ocean of bliss. The… Read More

Maya Structures Were Made Sacred

By installing them with life For the ancients, there was no separation between the secular and the sacred. Everything was sacred, ensouled with ch’ulel, a vital source that comes from the sun. Beyond the city or village there was chaotic space—the “wilds”—peopled by animals, ghosts, demons, spirits and “foreigners.” These were sometimes considered hostile, but it and they also contained ch’ulel. Because human beings couldn’t live in chaos—the wilds—life and living was all about maintaining order within the caah, the community. The model for it was (and remains) nature and the cosmos,… Read More

Maya Creation Myths

The events of creation are recorded on monuments throughout the Maya region. At larger cities such as Tikal, Uaxactun, Copan, Palenque, El Mirador and Caracol the more detailed inscriptions name the involved deities and provide dates. The information varies somewhat from place to place and across time, but there are commonalities that closely match the creation myth described in the Popol Vuh, a written account of creation, and other stories derived from K’iche’ oral traditions, such that scholars tend to agree in principle, if not in the details of the ancient Maya… Read More

The Dancing Maize God

Vessel of the Dancing Lords (A.D. 750/800)  Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More

Maize

The staple of ancient Maya life In the pre-dawn darkness, Gucumatz and Heart Of Heaven call on Fox, Coyote, Parrot and Crow to bring yellow and white maize from Paxil and Cayala, a mountain filled with seeds and fruits. Old Xmucane grinds the maize and, from the meal, the first four men are fashioned. Unlike the previous wooden race, these people of maize possess great knowledge and understanding and correctly give thanks to their creators. However, Gucumatz and Heart of Heaven are troubled; these corn men can see everywhere—through earth and sky… Read More

Xibalba: The Maya Underworld (2nd Initiation)

Rollout vase photo courtesy of Justin Kerr The Maya Underworld, called Xibalba (She-balba), “The Place of Fright,” was the realm beneath the surface of the Earth and under water. It was perceived to have nine descending levels arranged like an inverted pyramid, was ruled by the Bolontik’u, “Nine Lords of Death” and was often depicted on vases as a giant conch or snail shell which enclosed a mysterious other reality interpreted by some to be an infinite, eternal and bloody ocean of bliss. The Underworld was always pressing upward through portals—volcanoes, floods,… Read More

Sacred Spaces

For the ancients, there was no separation between the secular and the sacred. Everything of the Earth was sacred, ensouled with a vital source that comes from the sun. Outside it was chaotic space, peopled by ghosts, demons, spirits and “foreigners” who were considered demons. Because human beings couldn’t live in chaos, life and living was all about maintaining order. And the model for it was (and remains) nature and the cosmos. In both, they and we observe constancy, beauty, pattern and cyclical motion, apparent features of absolute reality. Modeling these in… Read More

Maya Creation Myths

The events of creation are recorded on monuments throughout the Maya region. At larger cities such as Tikal, Uaxactun, Copan, Palenque, El Mirador and Caracol the more detailed inscriptions name the involved deities and provide dates. The information varies somewhat from place to place and across time, but there are commonalities that closely match the creation myth described in the Popol Vuh, a written account of creation, and other stories derived from K’iche’ oral traditions, such that scholars tend to agree in principle, if not in the details of the ancient Maya… Read More