Period Ending Rites

Calendar dates that warranted the “planting” of a monument Lord Smoke Shell, 15th Ruler of Copan. Stela N (Front) Period endings in the long count were the greatest of ritual occasions for Classic-era Maya kings. Nearly all of the stone stelae at sites such as Copan, Tikal, and Yaxchilan were meant to commemorate these days and, most especially, the ceremonies that the rulers oversaw in their celebration: casting incense, drilling fire, sacrificing war captives, as well as in a rite called ‘the binding of stones.’ One of the principal duties of Maya… Read More

Feasts And Banquets

Vase rollout photo courtesy of Justin Kerr The above scene could be a “snapshot” of a ruler hosting a feast. Others are likely attending, evidenced by two long wooden trumpets (left top). And a hand beating a drum (below the trumpets). There’s a canopy overhead, so this takes place inside. Honey is likely fermenting in the narrow-necked jars below the ruler, who gestures to a dwarf holding a mirror so he can see himself. (Note the ruler’s long fingernails). Another dwarf, below the dias, drinks from a gourd. The Maize God had… Read More

Stone Monument: Stelae

(Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos. David Stuart  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also found. It’s speculated that these had been painted with images… Read More

Ancient Maya Clothing And Identity

How individuals understood themselves and interacted with others Whether intended or not, clothing communicates. For example, an apron in modern society can signal that the wearer is a chef or manual laborer. It can also symbolize the wearer’s beliefs and values, as when an apron is worn by a Rabbi. The elite Maya of the Classic Period went to extremes in the latter category, investing many items of clothing with meaning.  While commoner garments were simply intended to beautify or eroticize the body, those depicted in art—ceremonial regalia, jewelry and body manipulation… Read More

Maya Infancy And Childhood

Panajachel, Guatemala At birth, the child is anointed and slapped three times, a reference to hearthstone symbology. Maya hearths for cooking consist of three stones. The ancients believed that the stones replicate three prominent stars in the constellation Orion, set in the sky by the maize god at the beginning of creation. Because every day in the ancient Maya calendar had personal characteristics, a person’s birth date controlled his or her temperament and destiny. The given name was determined by a shaman at a divining ceremony. Generally, it was a composite of… Read More

Prophecy And Order

What happened before will happen again Prophecy was a prominent feature in all the known ancient cultures. Feeling at the mercy of the gods who represented the forces of nature, complex societies needed a way to understand their behavior so they could brace themselves for the next god-made flood, drought or other catastrophe and hope the gods would yield to the petitions and bargaining sacrifices of their kings and holy men. Maya kings established order by relying on observations of the motions of the sun, moon and other heavenly bodies. Remarkably, because… Read More

Xibalba: The Maya Underworld (2nd Initiation Trial)

Rollout vase photo courtesy of Justin Kerr The Maya Underworld, called Xibalba (She-balba), “The Place of Fright,” was the realm beneath the surface of the Earth and under water. It was perceived to have nine descending levels arranged like an inverted pyramid, was ruled by the Bolontik’u, “Nine Lords of Death” and was often depicted on vases as a giant conch or snail shell which enclosed a mysterious other reality interpreted by some to be an infinite, eternal and bloody ocean of bliss. The Underworld was always pressing upward through portals—volcanoes, floods,… Read More

The Blood Of Kings: Inherited from the gods

In all of Mesoamerican history, human blood served as a means of channeling and infusing the world with the sacred essence or soul.                                                David Stuart, Archaeologist and epigrapher Among certain creation myths, there’s the indication that, in the beginning, “First Mother” mixed the blood of the Creator gods with maize dough to create human beings. Without blood, a person dies, so it was understood to carry the life force…. Read More

The Dancing Maize God

Vessel of the Dancing Lords (A.D. 750/800)  Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More

Stone Monument: Stelae

(Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos.David Stuart  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also found. It’s speculated that these had been painted with images and… Read More