Maya Monuments
Kings stayed active in the world by being remembered in stone Waxaklajun Ub’ak K’awiil, “Serpent Of Eighteen Bodies,” 13th Ruler of Copan, Honduras. That’s me beside his monument, Copan Stela A. It was dedicated February 1, 731 A.D. Elements of his costume symbolize death and resurrection. He wears the Maize God skirt of jaguar skin and his headdress, a woven mat pattern, signifies the throne— authority to rule. Glyphs on the right side of the monument speak of a ritual on that day witnessed by the lords of Tikal, Calakmul, Palanque… Read More
Storytelling Through Dance
Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance on painted pottery. Most… Read More
Dugout Canoes And Mythology
Paddler gods escorted the Maize God across the Milky Way Lake Peten Itza, Guatemala By 400 B.C., salt was being “shipped” by canoes from northern Yucatan to Tikal in the Guatemalan jungle by way of Cerros, Belize down the New River. In 1502, Ferdinand Colon, a member of Christopher Columbus’s fourth voyage, described an encounter with a large group of Maya—or Maya-related people—in a seagoing canoe around the Bay Islands off modern Honduras. By good fortune there arrived at that time a canoe long as a galley and eight feet wide,… Read More
A Lineage House And Temple
Where Maya kings held council and conducted shamanic rituals Cerros is a gem! It’s one of my favorite sites and home to Fire Eyes Jaguar, the protagonist in my novel, Jaguar Rising. Overlooking Corozol Bay, this small-to-mid-size Late Preclassic site of 140 structures is located within two miles of the New River. With proximity to an even longer river, the Rio Hondo, and given the evidence of certain trade goods, scholars believe that Cerros may have been established by the “Snake Kings” of El Mirador—111 miles northwest—as a trading port where cargo… Read More
The Blood Of Kings: Inherited from the gods
In all of Mesoamerican history, human blood served as a means of channeling and infusing the world with the sacred essence or soul. David Stuart, Archaeologist and epigrapher Among certain creation myths, there’s the indication that, in the beginning, “First Mother” mixed the blood of the Creator gods with maize dough to create human beings. Without blood, a person dies, so it was understood to carry the life force…. Read More
Sacred Spaces
For the ancients, there was no separation between the secular and the sacred. Everything of the Earth was sacred, ensouled with a vital source that comes from the sun. Outside it was chaotic space, peopled by ghosts, demons, spirits and “foreigners” who were considered demons. Because human beings couldn’t live in chaos, life and living was all about maintaining order. And the model for it was (and remains) nature and the cosmos. In both, they and we observe constancy, beauty, pattern and cyclical motion, apparent features of absolute reality. Modeling these in… Read More
Maya Creation Myths
The events of creation are recorded on monuments throughout the Maya region. At larger cities such as Tikal, Uaxactun, Copan, Palenque, El Mirador and Caracol the more detailed inscriptions name the involved deities and provide dates. The information varies somewhat from place to place and across time, but there are commonalities that closely match the creation myth described in the Popol Vuh, a written account of creation, and other stories derived from K’iche’ oral traditions, such that scholars tend to agree in principle, if not in the details of the ancient Maya… Read More
The Dancing Maize God
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
