Maya Structures Were Made Sacred

By installing them with life For the ancients, there was no separation between the secular and the sacred. Everything was sacred, ensouled with ch’ulel, a vital source that comes from the sun. Beyond the city or village there was chaotic space—the “wilds”—peopled by animals, ghosts, demons, spirits and “foreigners.” These were sometimes considered hostile, but it and they also contained ch’ulel. Because human beings couldn’t live in chaos—the wilds—life and living was all about maintaining order within the caah, the community. The model for it was (and remains) nature and the cosmos,… Read More

Maya Creation Myths

The events of creation are recorded on monuments throughout the Maya region. At larger cities such as Tikal, Uaxactun, Copan, Palenque, El Mirador and Caracol the more detailed inscriptions name the involved deities and provide dates. The information varies somewhat from place to place and across time, but there are commonalities that closely match the creation myth described in the Popol Vuh, a written account of creation, and other stories derived from K’iche’ oral traditions, such that scholars tend to agree in principle, if not in the details of the ancient Maya… Read More

The Dancing Maize God

Vessel of the Dancing Lords (A.D. 750/800)  Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More

Ch’ulel “Soul”

The animating spirit in all things Plumeria, San Ignacio, Cayo, Belize For the Tzotzil Maya, ch’ulel is the inner, individual soul which has thirteen parts and is centered in the heart. This life essence that animates the person is placed in the embryo at conception by ancestral deities and is inherited from the grandfather, not the father, because, after a person dies, the soul remains at the gravesite for the same period of time as the person lived. And once the ch’ulel has been placed in the new grandchild, he or she… Read More

Cerros Structure 5C-2nd (Belize)

A preclassic period Maya temple Cerros is a gem! It’s one of my favorite sites and home to Fire Eyes Jaguar, the protagonist in Jaguar Rising. Overlooking Corozol Bay, this small-to-mid-size Late Preclassic site of 140 structures is located within two miles of the New River. With proximity to an even longer river, the Rio Hondo, and given the evidence of certain trade goods, scholars believe that Cerros may have been established by the “Snake Kings” of El Mirador—111 miles northwest—as a trading port where cargo from sea-going canoes could provision her… Read More

Hearth Stones

Modeling creation by establishing a center in a house and vitalizing it Operating on the principle, as above so below, the ancients “centered” their homes in the world following the example of the celestial deities who placed three “stones” in the universe to establish the center. The hearth wasn’t necessarily placed in the center of the house. The centering it provided was symbolic and spiritual. A Maya farmer showed me this hearth in a house that was no longer used. The guardian-spirit had long been released.  According to art historian Julia Kappleman,… Read More

Maya Monuments

Kings stayed active in the world by being remembered in stone Waxaklajun Ub’ak K’awiil, “Serpent Of Eighteen Bodies,” 13th Ruler of Copan, Honduras.   That’s me beside his monument, Copan Stela A. It was dedicated February 1, 731 A.D. Elements of his costume symbolize death and resurrection. He wears the Maize God skirt of jaguar skin and his headdress, a woven mat pattern, signifies the throne— authority to rule. Glyphs on the right side of the monument speak of a ritual on that day witnessed by the lords of Tikal, Calakmul, Palanque… Read More

Storytelling Through Dance

Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance on painted pottery. Most… Read More

Dugout Canoes And Mythology

Paddler gods escorted the Maize God across the Milky Way Lake Peten Itza, Guatemala By 400 B.C., salt was being “shipped” by canoes from northern Yucatan to Tikal in the Guatemalan jungle by way of Cerros, Belize down the New River. In 1502, Ferdinand Colon, a member of Christopher Columbus’s fourth voyage, described an encounter with a large group of Maya—or Maya-related people—in a seagoing canoe around the Bay Islands off modern Honduras.   By good fortune there arrived at that time a canoe long as a galley and eight feet wide,… Read More

A Lineage House And Temple

Where Maya kings held council and conducted shamanic rituals Cerros is a gem! It’s one of my favorite sites and home to Fire Eyes Jaguar, the protagonist in my novel,  Jaguar Rising. Overlooking Corozol Bay, this small-to-mid-size Late Preclassic site of 140 structures is located within two miles of the New River. With proximity to an even longer river, the Rio Hondo, and given the evidence of certain trade goods, scholars believe that Cerros may have been established by the “Snake Kings” of El Mirador—111 miles northwest—as a trading port where cargo… Read More