Ancient Maya Termination Rituals

Temples and other structures were ritually buried when no longer used Caracol Structure B5 For the ancient Maya the most important interaction was not between persons, objects or buildings, it was their relationship with the spirits that resided within them. While everything was perceived as being alive, only those things that were useful were ritually ensouled with a guardian spirit—or a deity in the case of temples, palaces and sacred places. When a house, palace or temple was built, an och’ k’ak’ “fire-entering” ritual was held to ensoul it with a guardian… Read More

Maya Shamanism

A shaman in his workshop. Catarina, Guatemala.   Shamans were specialists in ecstasy, a state of mind that allows them to move freely beyond the ordinary world, beyond death itself, to deal directly with the gods, demons, ancestors and other unseen but potent things that control the world of the living. – David Freidel, Archaeologist The perception that everything in the cosmos is imbued with the life force and interconnected, gave rise to the practice of contacting the spirits of ancestors and gods in altered states of consciousness, asking for guidance, favors and prophecy…. Read More

Ancient Maya Color Symbolism

I’m standing in front of Rosalila, a life-size replica of a 6th century shrine, the centerpiece of the museum at the Copan, Honduras archaeological park. Although the structure was completely buried, it was found whole and in excellent condition with much of the original paint. Inside, there were ceramic incense burners containing charcoal, two of which were resting on sculpted, stone jaguar pedestals. There were offerings of flint knives for sacrificing, nine elaborate, ceremonial scepters wrapped in a deep blue bundle, carved jade jewelry, conch shells, stingray spines (for bloodletting rites), shark vertebrae,… Read More

Ancient Maya Ancestor Veneration

The old men used to say that when men died, they didn’t perish, they once again began to live. . . They turned into spirits or gods. — Alfred Tozzer, American anthropologist This is likely a noble ancestor depicted on the frieze of a council house at Copan, Honduras. Among the ancient Maya, evidence of ancestor veneration shows up around the first century B.C. At that time, decisions were being made about the inheritance of land use. Land was not owned, but the right to use it was handed down. The principle… Read More

Maya Thrones

The seat of divine power and influence Scholars observed that whenever kings are depicted on monuments, they stand higher than those around them. This indicates their elevated status and positions them closer to the sky and the celestial gods. On vases, where palace scenes are depicted, they may sit lower. But the throne signifies their anointed, higher position relative to others. Only the gods had the power, by virtue of divine lineage, to seat a king of the throne. Maya thrones were first seen in the Guatemalan Highlands in the Late Preclassic… Read More

Ancient Maya Period Ending Rites

Calendar dates that warranted the “planting” of a monument Lord Smoke Shell, 15th Ruler of Copan. Stela N (Front) Period endings in the long count were the greatest of ritual occasions for Classic-era Maya kings. Nearly all of the stone stelae at sites such as Copan, Tikal, and Yaxchilan were meant to commemorate these days and, most especially, the ceremonies that the rulers oversaw in their celebration: casting incense, drilling fire, sacrificing war captives, as well as in a rite called ‘the binding of stones.’ One of the principal duties of Maya… Read More

Maya Monuments

Kings stayed active in the world by being re-membered in stone Waxaklajun Ub’ak K’awiil, “Serpent Of Eighteen Bodies,” 13th Ruler of Copan, Honduras.   That’s me beside his monument, Copan Stela A. It was dedicated February 1, 731 A.D. Elements of his costume symbolize death and resurrection. He wears the Maize God skirt of jaguar skin and his headdress, a woven mat pattern, signifies the throne— authority to rule. Glyphs on the right side of the monument speak of a ritual on that day witnessed by the lords of Tikal, Calakmul, Palanque… Read More

Jaguar

Lord of the Maya Underworld The jaguar was the most powerful animal in the ancient Maya world. It’s not surprising that it played a prominent role in mythology and kingship. Piecing together the interpretations of several scholars, mythically, K’inich Ajaw, the Sun god, created the jaguar to represent him in the world. He gave him the color of his power (reddish-orange) and the voice of thunder (the voice of the sun), and entrusted him to watch over his creation.  Each night, when K’inich Ajaw descended into the “West Door” and entered Xibalba… Read More

Ancient Maya Dance

Reenacting mythic stories Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper, Archaeologist Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance… Read More

Maya Stone Monuments: Stelae

Keeping the spirits of deceased kings alive and active (Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos. David Stuart, Archaeologist  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also… Read More