The Sacred Calendar and New Year Renewal
Calendar glyphs. Copan Stela N (Back) Sacred time is that in which the gods manifested themselves and created; so each time man wants to ensure a fortunate outcome for something, he re-actualizes the original sacred event—creation; what is actually sought is the regeneration of the human being. Sacred time is reversible, it’s a primordial mythical time made present. Mircea Eliade Many of the ideas put forth by professor Eliade in his groundbreaking book, The Sacred and the Profane: The Nature of Religion applies to the ancient Maya. While reading his book,… Read More
Xibalba: The Maya Underworld (2nd Initiation Trial)
Rollout vase photo courtesy of Justin Kerr The Maya Underworld, called Xibalba (She-balba), “The Place of Fright,” was the realm beneath the surface of the Earth and under water. It was perceived to have nine descending levels arranged like an inverted pyramid, was ruled by the Bolontik’u, “Nine Lords of Death” and was often depicted on vases as a giant conch or snail shell which enclosed a mysterious other reality interpreted by some to be an infinite, eternal and bloody ocean of bliss. The Underworld was always pressing upward through portals—volcanoes, floods,… Read More
The Sacred Calendar and New Year Renewal
Calendar glyphs. Copan Stela N (Back) Sacred time is that in which the gods manifested themselves and created; so each time man wants to ensure a fortunate outcome for something, he re-actualizes the original sacred event—creation; what is actually sought is the regeneration of the human being. Sacred time is reversible, it’s a primordial mythical time made present. Mircea Eliade Many of the ideas put forth by professor Eliade in his groundbreaking book, The Sacred and the Profane: The Nature of Religion applys to the ancient Maya. While reading his book,… Read More
Xibalba: The Maya Underworld (2nd Initiation)
Rollout vase photo courtesy of Justin Kerr The Maya Underworld, called Xibalba (She-balba), “The Place of Fright,” was the realm beneath the surface of the Earth and under water. It was perceived to have nine descending levels arranged like an inverted pyramid, was ruled by the Bolontik’u, “Nine Lords of Death” and was often depicted on vases as a giant conch or snail shell which enclosed a mysterious other reality interpreted by some to be an infinite, eternal and bloody ocean of bliss. The Underworld was always pressing upward through portals—volcanoes, floods,… Read More
