Ancient Maya Social Evolution
Part III of III: From chiefs to divine kings Rollout vase photograph courtesy of Justin Kerr The previous two posts dealing with this topic imagined how the ancients developed and sustained a political structure and ideology over an enormous territory for a millennia but never developed states or empires. Now, I imagine how the office of village chief evolved to become, in their language, k’uhul ajaw “holy lord.” In *Ancient Maya Politics: A political anthropology of the Classic Period 150-900 CE anthropologist Simon Martin suggests that “Ideological mechanisms instilled a ‘dynamic equilibrium’… Read More
The Sacred Calendar of The Maya
Time was cyclical rather than linear Calendar glyphs. Copan Stela N (Back) Sacred time is that in which the gods manifested themselves and created; so each time man wants to ensure a fortunate outcome for something, he re-actualizes the original sacred event—creation; what is actually sought is the regeneration of the human being. Sacred time is reversible, it’s a primordial mythical time made present. Mircea Eliade Many of the ideas put forth by professor Eliade in his groundbreaking book, The Sacred and the Profane: The Nature of Religion applies to the ancient… Read More
The Sacred World Tree (Ceiba)
This is a young ceiba. The thorns protect the tree from animals, especially the peccary who like the bark. The spikes disappear when the tree matures. The ceiba is the largest tree in the Mesoamerican tropical forest, so it’s not surprising that the Maya would use it as a model for the cosmos. The stature of the actual tree with roots deep in the underworld, the tall trunk and branches that touched the sky, makes it an ideal representation of the three realms inhabited by gods and demons. The ideological version, an… Read More
The Dancing Maize God
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
Ancient Maya Cultural Traits 