Ch’ulel “Soul”

The animating spirit in all things Plumeria, San Ignacio, Cayo, Belize For the Tzotzil Maya, ch’ulel is the inner, individual soul which has thirteen parts and is centered in the heart. This life essence that animates the person is placed in the embryo at conception by ancestral deities and is inherited from the grandfather, not the father, because, after a person dies, the soul remains at the gravesite for the same period of time as the person lived. And once the ch’ulel has been placed in the new grandchild, he or she… Read More

Jade

The ancient Mayas most precious stone Ear Ornaments The Classic Maya ascribed a number of meanings to jade, including maize, centrality, and rulership, as well as a material embodiment of wind and the vitalizing breath soul. Because of its close relationship to the breath spirit, jade was an important component of funerary rites and the ritual conjuring of gods and ancestors. Carved in floral form, jade earspools were considered supernatural sources or passageways for the breath spirit, frequently portrayed as a bead or a serpent emerging from the center of the jade… Read More

Color and Symbolism

I’m standing in front of Rosalila, a life-size replica of a 6th century shrine, the centerpiece of the museum at the Copan, Honduras archaeological park. Although the structure was completely buried, it was found whole and in excellent condition with much of the original paint. Inside, there were ceramic incense burners containing charcoal, two of which were resting on sculpted, stone jaguar pedestals. There were offerings of flint knives for sacrificing, nine elaborate, ceremonial scepters wrapped in a deep blue bundle, carved jade jewelry, conch shells, stingray spines (for bloodletting rites), shark vertebrae,… Read More

Ancestor Veneration

The old men used to say that when men died, they didn’t perish, they once again began to live. . . They turned into spirits or gods. — Alfred Tozzer, American anthropologist This is likely a noble ancestor depicted on the frieze of a council house at Copan, Honduras. Among the ancient Maya, evidence of ancestor veneration shows up around the first century B.C. At that time, decisions were being made about the inheritance of land use. Land was not owned, but the right to use it was handed down. The principle… Read More

Period Ending Rites

Calendar dates that warranted the “planting” of a monument Lord Smoke Shell, 15th Ruler of Copan. Stela N (Front) Period endings in the long count were the greatest of ritual occasions for Classic-era Maya kings. Nearly all of the stone stelae at sites such as Copan, Tikal, and Yaxchilan were meant to commemorate these days and, most especially, the ceremonies that the rulers oversaw in their celebration: casting incense, drilling fire, sacrificing war captives, as well as in a rite called ‘the binding of stones.’ One of the principal duties of Maya… Read More

Maya Monuments

Kings stayed active in the world by being remembered in stone Waxaklajun Ub’ak K’awiil, “Serpent Of Eighteen Bodies,” 13th Ruler of Copan, Honduras.   That’s me beside his monument, Copan Stela A. It was dedicated February 1, 731 A.D. Elements of his costume symbolize death and resurrection. He wears the Maize God skirt of jaguar skin and his headdress, a woven mat pattern, signifies the throne— authority to rule. Glyphs on the right side of the monument speak of a ritual on that day witnessed by the lords of Tikal, Calakmul, Palanque… Read More

Stone Monument: Stelae

(Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos. David Stuart  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also found. It’s speculated that these had been painted with images… Read More

Ball Game

Ball Court: Copan, Honduras Scholars believe that in earlier Maya times, the contest was a ritual that represented the fight of the opposing and forces of the universe—life-death, Sun-Moon, day-night, light-darkness—in order to insure balance, continuity and fertility. Some say it was a metaphor for the movements of heavenly bodies, the ball representing the journey of the Sun god passing in and out of the underworld. Because some courts have stone rings on the walls for the ball to pass through, other say it was about the Earth swallowing the sun where… Read More

Ancient Maya Clothing And Identity

How individuals understood themselves and interacted with others Whether intended or not, clothing communicates. For example, an apron in modern society can signal that the wearer is a chef or manual laborer. It can also symbolize the wearer’s beliefs and values, as when an apron is worn by a Rabbi. The elite Maya of the Classic Period went to extremes in the latter category, investing many items of clothing with meaning.  While commoner garments were simply intended to beautify or eroticize the body, those depicted in art—ceremonial regalia, jewelry and body manipulation… Read More

Stone Monument: Stelae

(Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos.David Stuart  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also found. It’s speculated that these had been painted with images and… Read More