Ancient Maya Social Evolution
Part II of III: Ideological foundation The question I posed last week was how the ancients developed and sustained a common political structure and unified ideology that covered an enormous territory (Guatemala, Belize and southeastern Mexico) for over a millennia. I imagined how their political structure might have gotten started and described how it might have grown from small villages with a “chief” to cities with divine kings, monumental architecture, hieroglyphic writing and a unique art style. Again, my catalyst for imagining these developments is *Ancient Maya Politics: A political anthropology of… Read More
Copal Incense: Gift for the Gods
The sweet-smelling blood of trees Copal (Pom) tree with bamboo growing alongside it (NOTE: I highly recommend the PBS Nova program “Ancient Maya Metropolis.” It focuses on Caracol in Belize. The program is exceedingly well done). The process of making copal incense begins by scraping the bark with a blade. When the sap comes out it’s collected on a piece of bark or corn husk. The resin, which wards off insects from the tree, is thick and sticky and has a white to yellow color. In contact with the air, it becomes… Read More
Maya Bloodletting And Elite Initiation
Rollout vase photo courtesy of Justin Kerr The theme of the past three posts was initiation. Examples were from my novel, Jaguar Rising. In the story I added another ceremony, a rite of passage for individuals who would enter the brotherhood of elites. Typically for the Maya, this involved bloodletting. More than a ritual of endurance, the symbolism around blood was complex and powerful. Inherited royal blood, whatever the status, was perceived as the rarified essence or “breath” of the ch’ulel “soul, ”a conduit between the world of the living and the… Read More
The Dancing Maize God
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
K’awiil: Ancient Maya Lightning Lord
God of fertility, abundance and royal lineage In Maya art, K’awill often appears in the form of a scepter that, when held, signifies royal lineage. Because one of his legs terminates in a serpent’s head, the Popol Vuh—the sacred book of the K’iché Maya—identifies him as Cacula Huracan, “Lightning One-Leg.” His forehead is a mirror penetrated by a smoking axe, which references ancestors and designates him as a lightning lord. The hooks in his eyes securely identify him as a deity. In Classic times, at accession events, when the kings displayed… Read More
Ancient Maya Cultural Traits 