Ancient Maya Clothing
What you wore was a sign of who you were and where you lived Whether intended or not, clothing communicates. For example, an apron in modern society can signal that the wearer is a chef or manual laborer. It can also symbolize the wearer’s beliefs and values, as when an apron is worn by a Rabbi. The elite Maya of the Classic Period went to extremes in the latter category, investing many items of clothing with meaning. While commoner garments were simply intended to beautify or eroticize the body, those depicted in… Read More
K’awiil: The Ancient Maya Lightning Lord
God of fertility, abundance and royal lineage In Maya art, K’awill often appears in the form of a scepter that, when held, signifies royal lineage. Because one of his legs terminates in a serpent’s head, the Popol Vuh—the sacred book of the K’iché Maya—identifies him as Cacula Huracan, “Lightning One-Leg.” His forehead is a mirror penetrated by a smoking axe, which references ancestors and designates him as a lightning lord. The hooks in his eyes securely identify him as a deity. In Classic times, at accession events, when the kings displayed… Read More
Kakaw (Chocolate)
A highly valued trading commodity, and an elite beverage Kakaw trees can’t tolerate high altitudes or temperatures below 60º F. They need moisture year-round, so during prolonged dry seasons irrigation is necessary. Given these considerations, they were domesticated in the Pacific coastal plains of Guatemala and Chiapas around 1000 B.C., at the height of the Olmec civilization at San Lorenzo. The area around Izapa, a Late Formative site in Chiapas, was a particularly rich source of kakaw (cacao) because it was very hot with volcanic soil. The variety of cacao grown in… Read More
Xibalba: The Place of Fright
The Maya underworld and the god of death Rollout vase photo courtesy of Justin Kerr The Maya Underworld, called Xibalba (She-balba), “The Place of Fright,” was the realm beneath the surface of the Earth and under water, especially in caves. It was perceived to have nine descending levels arranged like an inverted pyramid, and was ruled by the Bolontik’u, “Nine Lords of Death” and was often depicted on vases as a giant conch or snail shell which enclosed a mysterious other reality interpreted by some to be an infinite, eternal and bloody… Read More