Ancient Maya Dance
Reenacting mythic stories Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper, Archaeologist Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance… Read More
Ancient Maya Social Evolution
Part III of III: From chiefs to divine kings Rollout vase photograph courtesy of Justin Kerr The previous two posts dealing with this topic imagined how the ancients developed and sustained a political structure and ideology over an enormous territory for a millennia but never developed states or empires. Now, I imagine how the office of village chief evolved to become, in their language, k’uhul ajaw “holy lord.” In *Ancient Maya Politics: A political anthropology of the Classic Period 150-900 CE anthropologist Simon Martin suggests that “Ideological mechanisms instilled a ‘dynamic equilibrium’… Read More
Ancient Maya Social Evolution
Part II of III: Ideological foundation The question I posed last week was how the ancients developed and sustained a common political structure and unified ideology that covered an enormous territory (Guatemala, Belize and southeastern Mexico) for over a millennia. I imagined how their political structure might have gotten started and described how it might have grown from small villages with a “chief” to cities with divine kings, monumental architecture, hieroglyphic writing and a unique art style. Again, my catalyst for imagining these developments is *Ancient Maya Politics: A political anthropology of… Read More
Ancient Maya War And Warriors
Ritualized skirmishes evolved into large scale warfare Rollout vase photos courtesy of Justin Kerr It was the custom among them to pledge what they possessed to each other; upon collection and payment they began to quarrel and attack each other. Frey Diego de Landa They never had peace, especially when the cultivation (of milpas) was over, and their greatest desire was to seize important men to sacrifice, because the greater the quality of the victim, the more acceptable their service to the gods. Alfred Tozzer War was the way… Read More
The Ancient Maya Ball Game
Where the story of creation was repeated and celebrated Ball Court: Copan, Honduras Scholars believe that in earlier Maya times, the contest was a ritual that represented the fight of the opposing and forces of the universe—life-death, Sun-Moon, day-night, light-darkness—in order to insure balance, continuity and fertility. Some say it was a metaphor for the movements of heavenly bodies, the ball representing the journey of the Sun god passing in and out of the underworld. Because some courts have stone rings on the walls for the ball to pass through, other say… Read More
Ancient Maya Clothing
What you wore was a sign of who you were and where you lived Whether intended or not, clothing communicates. For example, an apron in modern society can signal that the wearer is a chef or manual laborer. It can also symbolize the wearer’s beliefs and values, as when an apron is worn by a Rabbi. The elite Maya of the Classic Period went to extremes in the latter category, investing many items of clothing with meaning. While commoner garments were simply intended to beautify or eroticize the body, those depicted in… Read More
Hunting Deer
Vase rollout courtesy of Justin Kerr They joined together in companies of fifty and roasted the flesh of deer so it would not be wasted; they make presents of it to their lord and distribute the rest among friends. Fray Diego de Landa, Bishop Inquisitor of Colonial Yucatan Deer were treated like gods because their main god had appeared to them in that form. In some places there were deer parks… Read More
The Sacred World Tree (Ceiba)
This is a young ceiba. The thorns protect the tree from animals, especially the peccary who like the bark. The spikes disappear when the tree matures. The ceiba is the largest tree in the Mesoamerican tropical forest, so it’s not surprising that the Maya would use it as a model for the cosmos. The stature of the actual tree with roots deep in the underworld, the tall trunk and branches that touched the sky, makes it an ideal representation of the three realms inhabited by gods and demons. The ideological version, an… Read More
The Dancing Maize God
Vessel of the Dancing Lords (A.D. 750/800) Photo courtesy of the Art Institute of Chicago. Maya Image Archive This vessel was produced in the Naranjo, Guatemala workshop for Lord K’ahk’ Ukalaw Chan Chaahk. At the top, above a band of symbols indicating the sky (a “sky band”), the hieroglyphs read: “His painting, (artist’s name?), artist sage, Lord Maxam, child of woman, Holy Lady Water-Venus, Lady Lord of Yaxhá (title?)(title?), child of man, Three Katun (60 year) Sacrificer, Lord Flint Face, Holy Lord of Naranjo, pure artisan.” The Classic Period name of the… Read More
Ancient Maya Cultural Traits 