Storytelling Through Dance

Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance on painted pottery. Most… Read More

Stone Monument: Stelae

(Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos. David Stuart  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also found. It’s speculated that these had been painted with images… Read More

Solar Observatory Or Performance Stage?

By 500 B.C. there were numerous large architectural assemblages throughout the central lowlands of Guatemala and Mexico. At first, they appeared to function solely as line-of-site markers of the sun’s solstice and equinox turning points. Archaeologists named them E-Group complexes.  Although there was great diversity in these structures across time and place, what they had in common was a large rectangular, flat, paved plaza with a square four-sided pyramid aligned to the cardinal  directions, situated west of a long narrow platform with small temples that ran north and south. The first to… Read More

War And Warriors

Rollout vase photos courtesy of Justin Kerr It was the custom among them to pledge what they possessed to each other; upon collection and payment they began to quarrel and attack each other. Diego de Landa They never had peace, especially when the cultivation (of milpas) was over, and their greatest desire was to seize important men to sacrifice, because the greater the quality of the victim, the more acceptable their service to the gods.  Alfred Tozzer War was the way you got gifts for the gods and kept the universe running…. Read More

Ball Game

Ball Court: Copan, Honduras Scholars believe that in earlier Maya times, the contest was a ritual that represented the fight of the opposing and forces of the universe—life-death, Sun-Moon, day-night, light-darkness—in order to insure balance, continuity and fertility. Some say it was a metaphor for the movements of heavenly bodies, the ball representing the journey of the Sun god passing in and out of the underworld. Because some courts have stone rings on the walls for the ball to pass through, other say it was about the Earth swallowing the sun where… Read More

The Sacred Calendar and New Year Renewal

  Calendar glyphs. Copan Stela N (Back) Sacred time is that in which the gods manifested themselves and created; so each time man wants to ensure a fortunate outcome for something, he re-actualizes the original sacred event—creation; what is actually sought is the regeneration of the human being. Sacred time is reversible, it’s a primordial mythical time made present. Mircea Eliade Many of the ideas put forth by professor Eliade in his groundbreaking book, The Sacred and the Profane: The Nature of Religion applies to the ancient Maya. While reading his book,… Read More

K’awiil: Ancient Maya Lightning Lord

God of fertility, abundance and royal lineage   In Maya art, K’awill often appears in the form of a scepter that, when held, signifies royal lineage. Because one of his legs terminates in a serpent’s head, the Popol Vuh—the sacred book of the K’iché Maya—identifies him as Cacula Huracan, “Lightning One-Leg.” His forehead is a mirror penetrated by a smoking axe, which references ancestors and designates him as a lightning lord. The hooks in his eyes securely identify him as a deity. In Classic times, at accession events, when the kings displayed… Read More

Dowsing / Divination

Are there underground forces that can be felt? Xunantunich, Belize Dowsing is a type of divination, typically used today to locate ground water, buried metals, gemstones, oil and grave sites without the use of scientific instruments. It’s consider a pseudoscience and there is no scientific evidence that it is any more effective than random chance; the dowsing rod only moves due to accidental or involuntary movements of the person using it. The entry in Wikipedia says it probably originated in Germany in the 16th century. I used to believe that. Then I… Read More

Dugout Canoes And Mythology

Paddler gods escorted the Maize God across the Milky Way Lake Peten Itza, Guatemala By 400 B.C., salt was being “shipped” by canoes from northern Yucatan to Tikal in the Guatemalan jungle by way of Cerros, Belize down the New River. In 1502, Ferdinand Colon, a member of Christopher Columbus’s fourth voyage, described an encounter with a large group of Maya—or Maya-related people—in a seagoing canoe around the Bay Islands off modern Honduras.   By good fortune there arrived at that time a canoe long as a galley and eight feet wide,… Read More

A Lineage House And Temple

Where Maya kings held council and conducted shamanic rituals Cerros is a gem! It’s one of my favorite sites and home to Fire Eyes Jaguar, the protagonist in my novel,  Jaguar Rising. Overlooking Corozol Bay, this small-to-mid-size Late Preclassic site of 140 structures is located within two miles of the New River. With proximity to an even longer river, the Rio Hondo, and given the evidence of certain trade goods, scholars believe that Cerros may have been established by the “Snake Kings” of El Mirador—111 miles northwest—as a trading port where cargo… Read More