Ancient Maya Color Symbolism

I’m standing in front of Rosalila, a life-size replica of a 6th century shrine, the centerpiece of the museum at the Copan, Honduras Archaeological Park. Although the structure was completely buried, it was found whole and in excellent condition with much of the original paint. Inside, there were ceramic incense burners containing charcoal, two of which were resting on sculpted, stone jaguar pedestals. There were offerings of flint knives for sacrificing, nine elaborate ceremonial scepters wrapped in a deep blue bundle, carved jade jewelry, conch shells, stingray spines (for bloodletting rites), shark vertebrae,… Read More

Ancient Maya Ancestor Veneration

The continuation of wisdom and support The old men used to say that when men died, they didn’t perish, they once again began to live. . . They turned into spirits or gods. — Alfred Tozzer, American anthropologist This is likely a noble ancestor depicted on the frieze of a council house at Copan, Honduras. Among the ancient Maya, evidence of ancestor veneration shows up around the first century B.C. At that time, decisions were being made about the inheritance of land use. Land was not owned, but the right to use… Read More

Ancient Maya Period Ending Rites

Calendar dates that warranted the “planting” of a monument Lord Smoke Shell, 15th Ruler of Copan. Stela N (Front) Period endings in the long count were the greatest of ritual occasions for Classic-era Maya kings. Nearly all of the stone stelae at sites such as Copan, Tikal, and Yaxchilan were meant to commemorate these days and, most especially, the ceremonies that the rulers oversaw in their celebration: casting incense, drilling fire, sacrificing war captives, as well as in a rite called ‘the binding of stones.’ One of the principal duties of Maya… Read More

The Maya Triadic Architectural Complex

Reminiscent of the Three Hearthstone “Thrones” in the Sky The Maya began erecting enormous pyramid platforms that had three temples on top, two facing each other across a plaza and the third centered behind them. Above, I’m looking down from the central temple atop the platform called “Caana” at Caracol in Belize. In 2000, extensive excavation was underway, and my lens wasn’t wide enough to include the other temples. This is the central pyramid. The previous photo was taken atop these steps, between the coverings protecting large scucco masks from the rain…. Read More

Ancient Maya Hearths

They modeled creation by establishing a center in a house and vitalizing it Operating on the principle, as above so below, the ancients “centered” their homes in the world following the example of the celestial deities who placed three “stones” in the universe to establish the center. The hearth wasn’t necessarily placed in the center of the house. The centering it provided was symbolic and spiritual. A Maya farmer showed me this hearth in a house that was no longer used. The guardian-spirit had long been released.  According to art historian Julia… Read More

Jaguar

Lord of the Maya Underworld The jaguar was the most powerful animal in the ancient Maya world. It’s not surprising that it played a prominent role in mythology and kingship. Piecing together the interpretations of several scholars, mythically, K’inich Ajaw, the Sun god, created the jaguar to represent him in the world. He gave him the color of his power (reddish-orange) and the voice of thunder (the voice of the sun), and entrusted him to watch over his creation.  Each night, when K’inich Ajaw descended into the “West Door” and entered Xibalba… Read More

The Blood Of Kings

Inherited from the gods, it conferred divine power In all of Mesoamerican history, human blood served as a means of channeling and infusing the world with the sacred essence or soul. David Stuart, archaeologist, epigrapher Among certain creation myths, there’s the indication that, in the beginning, “First Mother” mixed the blood of the Creator gods with maize dough to create human beings. Without blood, a person dies, so it was understood to carry the life force. Being sacred, blood was the highest kind of sacrifice a ruler could make to nourish the… Read More

Ancient Maya Dance

Reenacting mythic stories Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper, Archaeologist Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance on… Read More

Ancient Maya Social Evolution (Part III)

Part III of III: From chiefs to divine kings Rollout vase photograph courtesy of Justin Kerr The previous two posts dealing with this topic imagined how the ancients developed and sustained a political structure and ideology over an enormous territory for a millennia but never developed states or empires. Now, I imagine how the office of village chief evolved to become, in their language, k’uhul ajaw “holy lord.” In *Ancient Maya Politics: A political anthropology of the Classic Period 150-900 CE anthropologist Simon Martin suggests that “Ideological mechanisms instilled a ‘dynamic equilibrium’… Read More

Maya Stone Monuments: Stelae

They kept the spirits of deceased kings alive and active (Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos. David Stuart, Archaeologist  Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were… Read More