Thrones
The seat of divine power and influence Scholars observed that whenever kings are depicted on monuments, they stand higher than those around them. This indicates their elevated status and positions them closer to the sky and the celestial gods. On vases, where palace scenes are depicted, they may sit lower. But the throne signifies their anointed, higher position relative to others. Only the gods had the power, by virtue of divine lineage, to seat a king of the throne. Maya thrones were first seen in the Guatemalan Highlands in the Late Preclassic… Read More
Period Ending Rites
Calendar dates that warranted the “planting” of a monument Lord Smoke Shell, 15th Ruler of Copan. Stela N (Front) Period endings in the long count were the greatest of ritual occasions for Classic-era Maya kings. Nearly all of the stone stelae at sites such as Copan, Tikal, and Yaxchilan were meant to commemorate these days and, most especially, the ceremonies that the rulers oversaw in their celebration: casting incense, drilling fire, sacrificing war captives, as well as in a rite called ‘the binding of stones.’ One of the principal duties of Maya… Read More
The Triadic Architectural Complex
Reminiscent of the Three Hearthstone “Thrones” in the Sky The Maya began erecting enormous pyramid platforms that had three temples on top, two facing each other across a plaza and the third centered behind them. Above, I’m looking down from the central temple atop the platform called “Caana” at Caracol in Belize. In 2000, extensive excavation was underway, and my lens wasn’t wide enough to include the other temples. This is the central pyramid. The previous photo was taken atop these steps, between the coverings protecting large scucco masks from the rain…. Read More
Maya Monuments
Kings stayed active in the world by being remembered in stone Waxaklajun Ub’ak K’awiil, “Serpent Of Eighteen Bodies,” 13th Ruler of Copan, Honduras. That’s me beside his monument, Copan Stela A. It was dedicated February 1, 731 A.D. Elements of his costume symbolize death and resurrection. He wears the Maize God skirt of jaguar skin and his headdress, a woven mat pattern, signifies the throne— authority to rule. Glyphs on the right side of the monument speak of a ritual on that day witnessed by the lords of Tikal, Calakmul, Palanque… Read More
Jaguar
Lord of the Underworld The jaguar was the most powerful animal in the ancient Maya world. It’s not surprising that it played a prominent role in mythology and kingship. Piecing together the interpretations of several scholars, mythically, K’inich Ajaw, the Sun god, created the jaguar to represent him in the world. He gave him the color of his power (reddish-orange) and the voice of thunder (the voice of the sun), and entrusted him to watch over his creation. Each night, when K’inich Ajaw descended into the “West Door” and entered Xibalba he… Read More
Feasts And Banquets
Vase rollout photo courtesy of Justin Kerr The above scene could be a “snapshot” of a ruler hosting a feast. Others are likely attending, evidenced by two long wooden trumpets (left top). And a hand beating a drum (below the trumpets). There’s a canopy overhead, so this takes place inside. Honey is likely fermenting in the narrow-necked jars below the ruler, who gestures to a dwarf holding a mirror so he can see himself. (Note the ruler’s long fingernails). Another dwarf, below the dias, drinks from a gourd. The Maize God had… Read More
Storytelling Through Dance
Rollout Vase courtesy of Justin Kerr Combined with music and the fragrance of burning offerings, dance was often visualized as the direct manifestation of supernatural forces. Matthew Looper Elite dances depicted in Maya art were part of rituals and celebrations. On sculptured stelae. the kings are shown dancing as a deity. The monuments mostly depict male dancers, but there are some women shown dancing, for instance, Lady Ok Ayiin dancing as the Moon Goddess on the Yomop stela. More often, women are shown as dancers or dancing assistance on painted pottery. Most… Read More
Stone Monument: Stelae
(Stelae) were more than mere representation; they were themselves animate embodiments of the king, extensions of the kingly self that always ‘acted’ to insure the perpetual renewal of time and the cosmos. David Stuart Maya stelae are tall stone monuments, erected in the Classic Period between 100 and 300 AD. Many of them were sculpted in low relief on all four sides with kings, gods, ancestors and hieroglyphs. They were mostly painted red—the color of the life force—but uncarved stelae were also found. It’s speculated that these had been painted with images… Read More
Prophecy And Belief
A prophecy is a message that comes from a deity, delivered to a person attuned to receive it. Typically, the message expresses the divine will regarding the future. Ancient cultures all had prophets who delivered prophecies. And people believed what they heard, were willing to kill and die to be true to it. Gods, after all, were to be trusted. Anthropologist Mircea Eliade noted that tribal societies believed that their stories, about the gods and sacred ancestors overcoming the forces of chaos, created a sacred cosmic and social order in which humans… Read More
